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Coordinate with Scheduler Production Supervisor, Production, Supervisor, Manufacturing, Management. 3rd Shift Production Supervisor Duties:Manage, direct and coordinate all activities related to a production shift to maximize productivity and minimize cost while maintaining quality.
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With over 8,000 employees and 41 production sites, TC Transcontinental is a leader in the packaging and printing industry, as well as the top French-language educational publishing group in North America.
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You will lead a team responsible for infrastructure, equipment and talent for live action, post production and visual effects / motion graphics / animation for film, production design, versioning, retouching and print production for static and digital assets.
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A hybrid role, blending a sophisticated creative eye, hands on production using the latest digital printing technology, as well as the intellect to make the machines deliver a mind-blowing final product.
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Resources include a virtual production studio among six sound stages at Cinespace Studios, the Jarvis Center for Innovation and Collaboration, two sound studios, color and editing suites, industry-standard camera packages, a grip truck, two green screen stages, motion capture systems, a television studio, and two theaters.
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Cloning, mapping and sequencing of DNA Recombinant virus production and purification. Antibody production and purification. The Northwestern campus sits on the traditional homelands of the people of the Council of Three Fires, the Ojibwe, Potawatomi, and Odawa as well as the Menominee, Miami and Ho-Chunk nations.
$23.98 an hourFull-timeExpandApply NowActive JobUpdated 9 days ago - UpvoteDownvoteShare Job
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Experience in all aspects of production such as live action production, tabletop production, photography/stills/print, OOH, digital, social, experiential, user generated content, speculative executions, podcasts, and other areas of emerging content creation and media.
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At Allstate, the Talent Manager, Production Business Affairs will have an advanced understanding of the SAG-AFTRA contract as well as the non-union talent landscape. The Talent Manager, Production Business Affairs will be able to work effectively with diverse stakeholders, including producers, marketing teams and the internal production studio in a collaborative role.
$142,275 a yearFull-timeExpandApply NowActive JobUpdated 2 days ago - UpvoteDownvoteShare Job
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Video production experience – preferred skill and knowledge in the operation of video cameras and filming techniques and skill in 3D video animation and editing using Adobe Creative Cloud and Final Cut Pro X software.
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We are seeking a highly skilled and experienced IT Production Planning Solutions Analyst with global IT experience and a strong background in SAP PP/PPDS modules and satellite planning solutions (such as SAP IBP or Blue Yonder) to join our team and provide E2E expert support for integrated business planning and production execution.
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The Sound Concentration in the BFA and MS in Film and Television provides a thorough study of film production and post-production sound. The School of Cinematic Arts (SCA) offers a variety of undergraduate and graduate programs incluuding Film and Television, Animation, Creative Producing, Documentary, and Screenwriting on the Loop campus and at DePaul Cinespace Studios.
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Support business affairs lead and production in all talent matters. This role will support the Lead, Production Business Affairs to ensure that protocols and guidelines are followed to protect the enterprises interests.
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Work cross-functionally with the other teams that are part of Corporate Affairs and Brand such as Marketing, External Communication, Internal Communications, and Public Affairs to plan and execute video production and post-production.
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Advanced understanding of order entry platforms and configuration as well as a basic knowledge of DTCC/data exchange in order to handle production support issues independently. Understanding of industry terminology and standards Understanding of order entry platforms and configuration as well as a basic knowledge of DTCC/data exchange in order to handle production issues with minimal assistance.
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Proven ability to teach music production, recording, audio editing techniques, and journalistic storytelling, including DAW navigation (BandLab, Logic Pro), song structure, arrangement, music theory, beat making, and audio narrative techniques.
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production job in Chicago, Holdrege, Nebraska
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