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The Broadcast Engineer is an experienced television engineer who supports live studio productions, all post production workflows, streaming platforms, and infrastructure upgrades. Strong technical support with AVID, automation systems experience in Production control rooms, Master Control, Transmission, and streaming.
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Engage with vendors on submittals of all fabric, lab dips|strike off, accessories and trim layout, fit|prototype samples, pre-production samples, and production samples to ensure production deadlines are adhered to.
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Reporting directly to the Director of Art Production, the Production Artist will coordinate and manage the flow of projects, work closely with Design, Product Development, and Sales teams to ensure timelines are met, and interface with outside vendors to ensure manufacturing accuracy and quality integrity.
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Strong knowledge of Flow, RV, MediaShuttle, Excel, Google Suite, Zoom, Jira. Previous experience in film production, visual effects, editorial or IO. Basic Davinci Resolve editorial knowledge is a plus.
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Subject matter expertise of on-site studio needs for Animation, Visual Effects, Games, or post-production workflows. Maintain operational relationships with key partners within sales, production, studio operations, and internal technical support partners to understand, deliver, and support production and business requirements.
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The Opportunity: The Barbie IMC Team is looking for an experienced mid-to-senior level Lead Art Director with a passion for video and photo production for social and TikTok, as well as brand leadership, art direction and styling across multiple touchpoints including retail, live events, and more.
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Oversee all aspects of VFX production, from pre-visualization to post-production, offering guidance and training to VFX producers, supervisors, and crew. Demonstrated expertise in estimating and production management of visual effects.
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Spearheading the photography capture on set during productions of Netflix Stand Up and Comedy Series, this role utilizes knowledge of television production, live event productions and photography.
$360,000 a yearFull-timeExpandApply NowActive JobUpdated Today - UpvoteDownvoteShare Job
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Minimum of 5 years experience at a major film & television studio, post-production or content localization & fulfilment vendor with hands-on experience of the digital media supply chain. Deep knowledge of post-production processes, or deep understanding of media systems and the supply chain workflows they support.
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Hands-on production experience with orchestration systems such as Airflow. Hands-on production environment experience with distributed processing systems such as Spark. Tech stack includes Airflow, Spark, Databricks, Delta Lake, Snowflake, Scala, Python.
$199,000 a yearFull-timeExpandApply NowActive JobUpdated Yesterday - UpvoteDownvoteShare Job
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Manage design projects of varying complexities (i.e. art production style work, designing original compositions, etc.) Expand upon existing artwork provided by AD/LD to build-out original production-ready designs to apply to various products and templates as assigned.
$68,000 a yearFull-timeExpandApply NowActive JobUpdated Today - UpvoteDownvoteShare Job
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The responsibilities for the SW Technical Authority encompass the following: technical execution and leading the team through the Software Development lifecycle (SRR, PDR, CDR, FQT), including transition production.
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Coordinate with Art Director, Production, Concept Artists, and Content Leads on assignments for the concept art team ensuring concept art team meets milestone goals at high qualityMotivate, mentor and inspire concept art team, guiding them through various stages of production with clear direction.
$286,200 a yearFull-timeExpandApply NowActive JobUpdated Today - UpvoteDownvoteShare Job
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Course disciplines in the Entertainment Studies Program span subject areas such as Business and Management of Entertainment, Film & TV Development, Producing, Directing, Acting, Cinematography, Post-Production, Film Scoring, Independent Music Production, and Music Business.
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As part of the Print Production group, the Production Editor will play a critical role in managing the production of RAND publications, ensuring that they are produced on time, within budget, in accordance with RAND's quality standards, and in a manner that maximizes outreach and impact potential with various audiences.
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production job Company: Aquent in Santa Monica, CA
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