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With perks ranging from free concert tickets to dog-friendly offices, to progressive benefits like student loan reimbursement and adoption/fertility support. Live Nation’s Concerts Division is where tours are born, artists come to life, and fans get to experience the rush of live music.
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An internationally recognized full-service lighting, video, and rigging company servicing all facets of the entertainment industry that operates in fourteen offices in the US and internationally in the UK. 4Wall has made its mark in the California Desert for the Coachella Valley Music and Arts Festival, to the High Roller in Las Vegas, to Saks Fifth Ave in New York City for the ‘Land of 1000 Delights’ display.
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We are seeking an Accounting Manager for the Live Nation Concerts division, a segment of the Live Nation live music business. Live music is our passion and where we find our common ground.
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The people who shape our company come from other backgrounds, too, including concert music performance, humanitarian aid, opera singing, sports writing, and BMX racing. The people who shape our company come from other backgrounds, too, including concert music performance, humanitarian aid, opera singing, sports writing, and BMX racing.
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Experience developing in a production-facing environment and familiarity with standard concepts and tooling, e.g., CI/CD, git, Airflow. Bachelor’s degree in a quantitative discipline (statistics, biostatistics, data science, computer science, or a related field.
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At Richmond Raceway to assist with concert operations such as ticket scanning and wristbands. Richmond Raceway is a regional leader for events including sports, live music, and consumer trade shows.
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Concert lovers unite at Summerfest, the world’s largest music festival, just one of the many festivals offered throughout the city. Concert lovers unite at Summerfest, the world’s largest music festival, just one of the many festivals offered throughout the city.
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TPA operates venues on the UT campus including Austin's largest theater, Bass Concert Hall. Its public programs include Broadway in Austin; a curated season of international dance, theater, and music; and presentations of national touring artists.
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Extensive music knowledge: event planning, concert, or sports marketing experience preferred. These businesses allow Live Nation Media & Sponsorship to create strategic music marketing programs that connect over 1,000 brands with the 98 million fans that attend Live Nation Entertainment events each year.
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We offer student loan repayment to support recent grads, six months of paid caregiver leave to support new parents, perks like Roadie Babies (bring your little ones & a caretaker along with you on work trips) and Music @ Home (stipend to cultivate your little ones’ music interest), and tuition reimbursement to fuel your ongoing professional development.
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Today we carry that same mindset with an expanded footprint, with three retail locations, a backyard restaurant and concert venue, and our signature surf shop, A nationally recognized music festival right here in town, camps for the youth in our area, and so much more.
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Creatively innovate and inspire the Content & Marketing teams with cutting edge digital content treatments and references that we can bring to artist teams as our USP. Keep a finger on the pulse of music and culture, matching storytelling opportunities.
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Work directly with the Senior Concert Producer and creative team to bring together all aspects of the music and interdisciplinary components within a production, ensuring smooth running from the first rehearsal to the final curtain call.
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Ability to work efficiently and affably with other stage crew, Technical Director, Music Director, orchestra personnel, administrative staff, clients, and guest artists in alignment with Seattle Symphony's culture of respect, collaboration, and inclusivity.
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The Department of Performance of The School of Music at DePaul University invites expressions of interest in an adjunct faculty opportunity to conduct, teach, manage, and lead the DePaul Symphony Orchestra (DPSO.
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