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This course teaches the basic understanding of television and film production with a focus on the complete production process: pre-production (planning), production (lighting, shooting and sound gathering) and post-production (editing.
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Medical | Dental | Vision 401(k) matching Emotional Wellness Support Paid Time Off Paid Parental Leave LGBTQ+ Health Services Additional benefits to meet your and your family's needs About UsHearst Television (HTV) owns and/or operates 35 television and two radio stations serving 27 media markets across 39 states reaching over 22 million U.S. television households.
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Over the past 223 years, The Post has evolved into a multi-platform media company spanning print, digital, video, audio, app, television and commerce. The New York Post delivers the best in News, Sports, Entertainment and Pop Culture with wit, irreverence and authority.
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Oversees and directs multi-camera studio or remote productions as well as post-production including editing, graphics, etc. Upholds the highest journalistic editorial standards as outlined by PBS. Adept at producing content for a variety of platforms including television, social media and web.
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Television or Feature screen credits and/or Guild work experience desired. The team operates at the intersection of legal compliance, labor, production, post-production, and talent relations - collaborating with various internal and external teams during production and post-production and getting an inside look, into the creation of what viewers see on screen.
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Our studios are considered one of the foremost motion picture and television production and post-production facilities in the world. Our studios are considered one of the foremost motion picture and television production and post-production facilities in the world.
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Perform stationary post assignments: Stand guard at stationary posts which include (but not limited to) monitoring closed-circuit television, duress alarm systems and other security equipment, courtrooms, judge chambers, and jury rooms.
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FOX Television Stations owns and operates 29 full power broadcast television stations in the U.S. These include stations located in 14 of the top 15 largest designated market areas, or DMAs, and duopolies in 11 DMAs, including the three largest DMAs (New York, Los Angeles and Chicago.
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These teams utilize industry standard post-production tools to generate and complete FX’s programming and promos in a fast turn television broadcast environment. Understanding post-production workflows including Editing, Audio Mixing, VFX, Motion Graphics, and Print.
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3+ years of experience in a television broadcast environment or equivalent. Work independently in a fast-paced live television environment and will be responsible for ensuring the on-site systems stay operational under all circumstances.
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In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. Variety is seeking an Account Manager, West Coast Consumer in Los Angeles, CA to support pre-sales media strategy including media plan development and gathering audience insights, as well as owning the post sales process including gathering client assets, setting up digital programs, optimizing delivery, as well as analyzing performance to tell a story with end of campaign metrics.
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The Sr. Avid Editor will provide a high level of technical and creative video editing expertise to the Post Production finishing process. Experience:Five (5) years of experience as a technical finishing editor on a broadcast television series, using the Adobe Premiere, Avid Symphony and/or Avid Media Composer editing systems.
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Experience preforming preventive maintenance and repair on video related equipment including production, post-production, and broadcast equipment and establish preventative maintenance schedules.
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Reporting to the Metadata Project Manager in the Cataloging and Metadata department, the Digital Media Asset Coordinator (DMAC) develops and directs strategies for the management of digital assets during and post-implementation of a media asset management system (MAMS) at the Film and Television Archive, as part of a multi-year project addressing its legacy systems and workflows.
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Thorough knowledge of broadcast electronics, cable systems, digital video, television studio, and editing systems. Provide support and maintenance to the day-to-day broadcasting, live production, live-to-tape production, and post production operations.
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