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Prefer five years’ theatrical production experience and five years’ lighting design in a similar professional venue and programming; knowledge and experience working with Broadway and dramatic theatre, dance, classical/pop music and opera; experience working with/supervising IATSE stage crew; excellent time and labor management skills; and positive attitude.
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This includes managing the deck crew, knowing all placement and movement of scenic pieces and props, and keeping an accurate run sheet for all crew as well as the production manager and stage manager.
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Essential Functions: Performs the Load-in & out of band equipment and rental equipment Responsible for securing required passes and tickets and prepares guest lists under the direction of the stage Manager Cabling; assist audio & lighting crew as directed Band Set changes Ensure that members of the Band(s) have required items needed to perform the show(s.
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The Head Audio Engineer may also provide additional support to the other positions on the stage crew in the Leo K. Theater, Bagley Wright Theater, and the PONCHO Forum. In collaboration with other members of the stage crew and production staff, the Head Audio Engineer is responsible for maintenance and installation of all productions in the Leo Kreielsheimer (Leo K.) Theater, dealing primarily with audio work.
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The Stage Operations Additional Labor Crew works with the Stage Operations Manager, the Stage Operations Assistant Manager, and the Stage Operations Crew during work calls.
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Liaise with the stage crew to ensure all lighting, sound, video, and other production elements are of excellent quality. The Assistant Manager Orchestra Operations works with the VP & General Manager, Orchestra Personnel Manager, and Manager, Production & Operations to support with long range planning; management of the orchestra schedule; concert production; orchestra and crew relations and working conditions; and logistics for offsite activities including domestic and international tours.
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As a Theatrical Services Tech at Sesame Place, you will operate and support audio, video, lighting, stage crew and other various aspects of park shows and special events for the Entertainment Department's Show and Event Operations team.
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Behind-the-screen and behind-the-stage crew positions, including. The Public’s stage include Horton Foote’s The Habitation of. the Theater Guild had in its heyday) before The Public opened in.
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Lead shop and stage crew through portion of strike (2nd and 3rd shifts are possible but infrequent) Lead shop and stage crew through portions of load-in and installation of sets into performance venues (2nd and 3rd shifts are possible but infrequent.
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Converting the arena from one performance staging to the next performance staging, such as a basketball court to a stage or a stage to an ice rink. As part of our Conversion Event Set Up/Teardown Crew – Graveyard Shift , you are fundamental in creating the overall experience in our arenas for players, visiting tours, and our guests by performing nightly transformations from one event to the next.
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This will include an introductory study of scene design, costume design, stage lighting and sound design, equipment, practices, theories, and practical application. TH-111: Beginning technical theatre lab with focus on backstage operations and crew assignments.
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ASM Management Bakersfield has an immediate opening for Clean-Up Crew positions at the Mechanics Arena, Theater & Convention Center. The Clean-up Crew is responsible for maintain cleanliness during, before and after all events at a ten thousand seat Arena and a three thousand seat Theater.
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During scaffold erection, assist in hazard recognition and site preparation, unload and stage materials as directed and pass material to a scaffold crew, either from the ground or as part of a chain-line (daisy chain.
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Assist lighting & Audio crew as directed by Stage Manager or PM; Spotlight operation if required. Experience in stage lighting, pro audio systems and basic video systems. 3 years minimum Tour and Stage Production experience.
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Manage the Stage crew, estimate labor and material costs, technical coordination, advance details with touring companies, promotors, and rental clients. Functional competency in rigging, audio, video, lighting production, stage operations and logistics.
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